VISIONARY ARCHITECTURE WEEK: Jean-Jacques Lequeu

Jean-Janques Lequeu, the turn-of-the-nineteenth-century French architect of fanciful yet preposterously implausible (and unrealized) buildings, is a hero of the Athanasius Kircher Society.

“The inventions of Lequeu … belong to another world, a world pervaded by dreams and eccentricities. Lequeu’s universe is crowded with details and marginalia, but it is nonetheless empty: alcoves are deserted; temples have no devotees; roads no traffic. The question becomes inevitable: Was Lequeu ever addressing anyone but himself?”

- from the forward to Visionary Architects: Boulee, Ledoux, Lequeu.

Not long ago, Pruned sketched the outline for a proposed Lequeu biopic, casting him as the Salieri to Etienne-Louis Boulee’s Mozart. A large collection of Lequeu drawings are available at the BNF’s Gallica. And more from a weblog we esteem, Giornale Nuovo.

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3 Responses to “VISIONARY ARCHITECTURE WEEK: Jean-Jacques Lequeu”

  1. Tony Jacobs Says:

    This is perhaps the coolest thing I have ever seen.

  2. strambinha strambloga » The Proceedings of the Athanasius Kircher Society Says:

    [...] Em março passado houve uma semana dedicada à arquitetura visionária. Um dos artigos fala de Jean-Jacques Lequeu: Jean-Janques Lequeu, the turn-of-the-nineteenth-century French architect of fanciful yet preposterously implausible (and unrealized) buildings, is a hero of the Athanasius Kircher Society. [...]

  3. Andrés Hax Says:

    Proceedings,

    Look at this.

    Tomas Saraceno is an argentine architect and artist who wants to build cities in the sky! He is currently exhibiting an extraordinary film he shot in a salt lake in Bolivia.

    Go here for some images:

    http://my.opera.com/mildz/blog/index.dml/tag/air-port%20city

    It is part of a bigger exhibit entitled:

    Future City
    Experiment and Utopia in Architecture 1956 - 2006

    It lasts until September 17th of this year.

    Here is the link:

    http://www.barbican.org.uk/artgallery/event-detail.asp?ID=4230

    Regards,

    Andrés Hax

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